| S. No. |
Publication Details |
View |
| 1 | Vivek Kumar Yadav, Shomik Dasgupta, Bharath Kumar, The Institution of the Caste System and its Practices: An Ethical Critique by B.R. Ambedkar, IASSI Quarterly: Contributions to Indian Social Science, 2021 | Details |
| 2 | Akshaya Kumar, Cinema and its Spatial Predicates: Landscapes of Debt in Search of Justice, Jump Cut, 2021 | Details |
| 3 | Akshaya Kumar, The Libidinal Economy of Vernacularisation: Modernity, Sexuality and Bhojpuri Media, Media, Culture & Society, 2021 | Details |
| 4 | Akshaya Kumar, Re-Visioning Caste in Indian Cinema, Soundings: An Interdisciplinary Journal , 2021 | Details |
| 5 | Akshaya Kumar, Provincializing Bollywood: Bhojpuri Cinema in the Comparative Media Crucible, Oxford University Press, 2021 | Details |
| 6 | Ghoshal, Ananya, "Sounding the Anthropocene" , Scenes from the Anthropocene, University of California Press , 2021 | Details |
| 7 | Shivhare, Y.K, & Sanjram, P. K., Less Effortful Synchronization with Low Frequency Tones in Isochronous Sound Sequence, Neuroscience Letters, 2021 | Details |
| 8 | Najar, S. & Sanjram, P. K. , Suppressed Articulatory Rehearsal Mechanism, Gaze Behavior, and Direction Following in Distracted Driving, Springer Nature, 2021 | Details |
| 9 | Vivek Kumar Yadav, Shomik Dasgupta, Bharath Kumar, “All Human Beings are of Equal Status Since Birth”: Caste, Inequality and B.R. Ambedkar’s Universal Claim for Human Equality, Indian Journal of Human Development, 2020 | Details |
| 10 | Akshaya Kumar, Deriving a Tangible Promotional Calculus: Platform Monopolies and Political Advertising, Media International Australia , 2020 | Details |
| 11 | Akshaya Kumar, The Popular Aesthetics of Social Mobility, Economic and Political Weekly, 2020 | Details |
| 12 | Akshaya Kumar, Standing the Provincial Ground: Childhood and Parental Authority in Dangal (2016), Studies in South Asian Film & Media , 2020 | Details |
| 13 | Akshaya Kumar, The Derivative Values of Platform Capitalism, Platform Capitalism in India, 2020 | Details |
| 14 | Akshaya Kumar, Informality in the time of Platformization, Platform Capitalism in India, 2020 | Details |
| 15 | Akshaya Kumar, Celluloid Visions in a Video Frame: Bhojpuri Cinema between Insurrections and Catharsis, Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media, 2020 | Details |
| 16 | Ghoshal, Ananya, "Reading Interrupted: Translating Disability in Subha", Disability in Translation: The Indian Experience (Abingdon, Oxford ; New York, NY : Routledge, Taylor & Francis Group), 2020 | Details |
| 17 | Akshaya Kumar, Consolidating Bollywood: Spectacularity Without Stardom, Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media, 2020 | Details |
| 18 | Akshaya Kumar, Insurrectionary Tendencies: The Viral Fever Comedies and Indian Media, Digital Transactions in Asia: Economic, Informational, and Social Exchanges, 2019 | Details |
| 19 | Akshaya Kumar, Informality in the time of Platformisation, Media Industries, 2019 | Details |
| 20 | Akshaya Kumar, The Diffused Substance of Bhojpuri Indigeneity, Media, Indigeneity and Nation in South Asia, 2019 | Details |
| 21 | Akshaya Kumar, Between Ramgarh and Bambai: The Leftover Geography of Bhojpuri Cinema, Summerhill, 2018 | Details |
| 22 | Akshaya Kumar, Deswa, the film and the movement: taste, industry and representation in Bhojpuri cinema, Contemporary South Asia, 2018 | Details |
| 23 | Akshaya Kumar, Media Portfolios after Credit Scoring: Attention, Prediction, and Advertising in Indian Media, Postmodern Culture, 2018 | Details |
| 24 | Ghoshal. Ananya et al., An Anthropocene Primer Version 1.0, Open Access Book hosted online by Indiana University–Purdue University Indianapolis (https://anthropoceneprimer.org/), 2017 | Details |
| 25 | Ghoshal, Ananya, "Stories from the Kathasaritsagara in Amar Chitra Katha: Translation,Re-telling and the Big Indian Picture", Anekaant- A Journal of Polysemic Thought , 2017 | Details |
| 26 | Ghoshal, Ananya, Review of "The Book of Radical General Semantics" by Gad Horowitz with Colin Campbell, Anekaant- A Journal of Polysemic Thought , 2017 | Details |
| 27 | Ghoshal, Ananya, "What Can We Learn from the Betrayal of Translators?" -A Report on Professor Paul St-Pierre's Lecture, Forum on Contemporary Theory Newsletter, 2016 | Details |
| 28 | Sanjram, P. K., Attention and Human Errors in Multitask Performance, APCHI'13, 2016 | Details |
| 29 | Ghoshal, Ananya, "Images of Man and Death in Ingmar Bergman’s Cinema", Journal of Contemporary Thought, 2015 | Details |
| 30 | Ghoshal, Ananya, "Seeing Madness: Insanity, Media, and Visual Culture" - A Report on Professor W. J .T. Mitchell's Lecture, Balvant Parekh Centre for General Semantics and other Human Sciences Newsletter, 2015 | Details |
| 31 | Ghoshal, Ananya, "The Ethics of Hospitality and the Art of the Home" -A Report on Professor Homi K. Bhabha's Lecture, Balvant Parekh Centre for General Semantics and other Human Sciences Newsletter, 2014 | Details |
| 32 | Sanjram, P. K., Attention and intended action in multitasking: An understanding of cognitive workload, Displays, 2013 | Details |
| 33 | Ghoshal, Ananya, "Is there a shaman in Sylvia? Sylvia’s redemptive Imagination", Plath Profiles: An Interdisciplinary Journal for Sylvia Plath Studies, 2009 | Details |
| 34 | Ghoshal, Ananya, "Ramayana for a New Generation: Using Myth to Recreate Children’s Literature", Journal of Children’s Literature, 2009 | Details |
| 35 | Ghoshal, Ananya, "Not a day has gone by in my life when I haven't thought about death" -Ingmar Bergman, Mortality, Dying and Death, 2009 | Details |
